IRISH FILM FESTA 2018 | Short film submissions are open

Irish Film Festa 2018 - Short film submissions are open

 

The 11th IRISH FILM FESTA, which will take place in March 2018, is now open to submissions for short films from Ireland.

In order to be eligible for IRISH FILM FESTA competition, films must be under 20 minutes in length, and produced or co-produced in Ireland.

Accepted categories are Live Action (all genres, including Documentary) and Animation (all techniques).

Entries must be submitted as an online screener to submissions.IFF@gmail.com or as a DVD to
Associazione Culturale ARCHIMEDIA
via Segesta 16
00179 Roma (Italia)

Deadline is January 10th, 2018.
No fee requested. DVDs sent by post will not be returned.

Out of all the accepted entries, IRISH FILM FESTA will select – at its sole and absolute discretion – a shortlist of films for the competition. IRISH FILM FESTA will notify all the authors of selected films; not-selected applicants won’t be notified.

Within a week after admission, authors of selected films must provide:

•    a high-definition copy of the film for the festival screening (DCP/DVD/Blu-Ray);
•    a timecoded dialogue list *;
•    a high-resolution still from the film, a brief synopsis, and a full-credits list to be used for the festival catalogue.

* Please note that this is mandatory. If the timecoded dialogue list won’t be provided, the short film will be disqualified from the competition.

Prizes will be awarded by a professional jury to the Best Live Action Short Film and to the Best Animated Short Film.

 

IFF 10 | Highlights

Highlights from the 10th IRISH FILM FESTA (March 30 – April 2, 2017)

Graham Cantwell, director (Lily – short film)
Ciaran Creagh, director (In View)
Ian Hunt Duffy, director (Gridlock – short film)
Caoilfhionn Dunne, actress (In View)
Toto Ellis, director (Two Angry Men – short film)
Peter Foott, director (The Young Offenders)
Vincent Gallagher, director (Second to None – short film)
Amy-Joyce Hastings, actress (Sanctuary, Lily – short film)
Tristan Heanue, director (Today – short film)
Niamh Heery, director (Pause – short film)
Martin McCann, actor (66 Days, Starz – short film)
Gerard McSorley, actor (In View, Starz – short film)
Eugene O’Brien, screenwriter (The Flag)
Seán T. Ó Meallaigh, director (The Court – short film)
Declan Recks, director (The Flag)
Jim Sheridan, director
Dermot Bolger, writer
Prof. Martin McLoone (University of Ulster)

Gridlock & Second to None, best short films at the 10th Irish Film Festa

Gridlock by Ian Hunt Duffy (live action) and Second to None by Vincent Gallagher (animation) are the winning short films of the 10th Irish Film Festa

Gridlock by Ian Hunt Duffy (live action) and Second to None by Vincent Gallagher (animation) are the winning short films of the 10th Irish Film Festa (March 30 – April 2nd, 2017, Rome).

Jury: Oscar Cosulich (Future Film Festival), Barry Monahan (University City Cork), Serenella Zanotti (Università Roma Tre).

ph: Guido Cavatorta

Three questions to… Vincent Gallagher, director of Second to None

Second to None - Vincent Gallagher - Irish Film Festa

A dark comedy about the world’s second oldest man: Second to None is a funny and highly original animated short film in competition at the 10th Irish Film Festa (March 30th – April 2nd, Rome). We spoke to the director Vincent Gallagher, who was in competition also last year with Love is a Sting. . . .

Three questions to… Toto Ellis, director of Two Angry Men

Interview with Toto Ellis - Two Angry Men - Irish Film Festa

 
The battle of James Ellis (played by Michael Shea) and Sam Thompson (Adrian Dunbar) to stage the play Over the Bridge in face of censorship in 1950s Belfast: Two Angry Men is one of the short films in competition at the 10th Irish Film Festa (March 30th – April 2nd, Rome).

We spoke to the director Toto Ellis, James’ son. . . .

Three questions to… Jack O’Shea, director of A Coat Made Dark

Interview with Jack O'Shea - A Coat Made Dark

 
A man follows the orders of a dog to wear a mysterious coat with impossible pockets: it’s the mysterious plot of A Coat Made Dark, one of the animated short films in competition at the 10th Irish Film Festa (March 30th – April 2nd, Rome).

We spoke to the young director Jack O’Shea, whose works have appeared at film festivals worldwide, including the Annecy International Animated Film Festival.

 

What kind of drawing and animation techniques were used for the film?

The film was animated digitally, using a hand-drawn frame by frame technique. I previously explored a similar painterly/inky aesthetic using a traditional approach with organic materials. However I found I could more closely capture the desired aesthetic using a digital process.

 

How did you set the strong and minimal colour palette?

The story relies a lot on what isn’t said directly, or is kept from the audience. To capture this idea visually, it was important to hide much that appears on screen in vast black spaces. The details that are left become more striking, and imply at what might be disguised in darkness.

 

What about the voices of your characters – Hugh O’Connor, Declan Conlon and Antonia Campbell Hughes?

The characters in the film are afraid to give anything away, speaking only as a last resort. Each of these voice performances captured this idea, and explored other ways to emphasise this underlying tension, given the dialogue was so limited. It was the subtle details they offered to the performances that served to capture this idea most effectively.

 

IRISH FILM FESTA 10 Line-Up

irish film festa 10 line-up

 

The 10th edition of IRISH FILM FESTA, the festival dedicated entirely to Irish cinema, will be held this year from 30 March to 2 April at its usual venue, the Casa del Cinema in Rome.

“In these ten years we have presented the best of contemporary Irish film, choosing films which were never seen in our country but were the recipients of numerous international awards; and had the privilege of welcoming prestigious guests such as Stephen Rea, Fionnula Flanagan, Lenny Abrahamson, Adrian Dunbar, and many others. For this, the tenth edition of IRISH FILM FESTA will be a special edition, celebrating the journey accomplished so far and driving for what remains to be done,” said the artistic director Susanna Pellis.

Among the films scheduled in the tenth edition of IRISH FILM FESTA, all of which are Italian premieres, is the documentary Bobby Sands: 66 Days by Brendan J. Byrne, dedicated to the sixty-six days of hunger strike in 1981 that led to the death of Bobby Sands in prison of Long Kesh. The film examines the symbolic and cultural value of fasting in an Irish historic-political context and is based on Sands’ prison diaries, narrated by actor Martin McCann who is expected as a guest at the festival: “Those words put his voice at the centre of the film and lead us into his mind – explains the director – the only place in which Sands found freedom.” 66 Days was presented at the last Galway Film Fleadh and the international documentary festival Hot Docs in Toronto.

The screening of 66 Days will also see the attendance of the journalist Riccardo Michelucci, author of the recently-published essay Bobby Sands. Un’utopia irlandese (Editions Clichy).

The history of the Troubles in Northern Ireland and their cinematic representation in films such as Angel, Some Mother’s Son, Nothing Personal, The Boxer, Hunger, and others, will also be the focus of a conference at the festival held by Prof. Martin McLoone (University of Ulster, Emeritus).

Martin McCann, which we saw last year in The Survivalist by Stephen Fingleton, also appears in, and co-directs, the mockumentary Starz, one of the short films starring an extraordinary Gerard McSorley (The Constant Gardener, Veronica Guerin), also expected as a guest in Rome. This year’s competitive section of IRISH FILM FESTA presents 15 shorts ranging between various genres and creation (animation, documentary, horror, thriller).

The director Ciarán Creagh, the lead actress Caoilfhionn Dunne (from the cast of the series Love/Hate) and Gerard McSorley will present the drama In View: Ruth is a police officer who, unable to mourn the loss of her son and husband, begins to lose her grip on life. Her guilt is irrepressible, and pushes her to confront past mistakes in search of redemption.

Another dramatic story is provided by Mammal, written and directed by Rebecca Daly and starring Rachel Griffiths (nominated for an Oscar in 1999 for Hilary and Jackie) and the young Barry Keoghan (Love/Hate): for Margaret the news of the disappearance of her teenage son, who she he left when he was little, coincides with the decision to host Joe, a homeless guy who she found the street, wounded. Mammal premiered at the Sundance Film Festival in 2016.

Sanctuary, the first work by Len Collin, has its origins in the theatre: it is based on the text of the same name by Christian O’Reilly, staged by Blue Teapot Theatre Company, a Galway company comprising actors with intellectual disabilities. The protagonists of the film, which keeps the same cast as the play, are Larry and Sophie, two young lovers: what could be more natural for them to want to spend some time alone together? But Larry and Sophie are not a couple like any other. And trying to have a little intimacy is not only breaking the rules, but breaking the law.

The focus of The Flag by Declan Recks (his first film, Eden, was shown at IFF 2008) is the 1916 Easter Rising, following the Centenary which was also celebrated at the festival last year, through a fresh comic approach. Harry Hambridge (Pat Shortt), is a down on his luck Irish emigrant in London. During his return to Ireland for his father’s funeral, he discovers that his grandfather was among the men to hoist the Irish tricolour over the General Post Office during the Easter Rising of 1916. A flag which now hangs in a British barracks. Tired of suffering humiliation, Harry is determined, with the help of some unlikely companions (including Moe Dunford, seen at IFF 2015 in Patrick’s Day by Terry McMahon), to get back the hallowed flag. Declan Recks and screenwriter Eugene O’Brien will be present at the festival.

Inspired by the story of a cocaine seizure worth €440 million off the coast of Cork in 2007, The Young Offenders by Peter Foott (Best Irish Film at the Galway Film Fleadh 2016) sees two local boys, Conor and Jock, take a 160-km journey on two stolen bicycles in the hope of finding a bale of cocaine that seemingly escaped the police. A fast-paced comedy which has proved a huge success in Ireland. The author and director Peter Foott will be at the festival which will screen his short film The Carpenter and His Clumsy Wife, recipient of a special mention at the Venice Film Festival in 2004.

Two strangers empty their bank accounts, sell their assets, and put all their capital in cash in a green sports bag. Then they go to a remote place to fight to the death. The winner buries the loser and runs away twice as rich. This is the idea behind Traders, a film by Rachael Moriarty and Peter Murphy, starring Killian Scott (Love/Hate) and John Bradley (Game of Thrones). Small but significant roles also for Barry Keoghan and Caoilfhionn Dunne.

The tenth edition of the festival features two Irish Classics. The first is John Boorman’s The General (1998), awarded for best director at the Cannes Film Festival: The General is the nickname of the Dublin criminal Martin Cahill, played in the film by Brendan Gleeson. Known for his ruthlessness and the meticulousness with which he planned his crimes, Cahill was documented in detail in the book The General by the journalist Paul Williams, from which comes the film’s screenplay. The text was published for the first time only last year in Italy by Milieu Edizioni as part of the Banditi senza tempo series, in parallel with two other volumes linked to Ireland: On the Brinks by former IRA activist Sam Millar and Bomber Renegade by Michael “Dixie” Dickson, the last IRA prisoner to be released, now an organiser of concerts and sporting events.

The Boxer (1997) on the other hand is a tribute by the IFF to director Jim Sheridan who, for the first time, will be a visitor to the festival for an encounter with the public. Sheridan, with three Oscar nominations under his belt (for directing My Left Foot and In the Name of the Father, and for the screenplay of In America), will present his most recent film, The Secret Scripture, based on the novel of the same name by Sebastian Barry. Starring Rooney Mara, Eric Bana, Vanessa Redgrave and Adrian Dunbar, the movie was already presented at last year’s Festa del Cinema di Roma, and will be released in Italian cinemas on 6 April by distributor Lucky Red. The IFF homage to Sheridan will also include The Carpenter and His Clumsy Wife, of which the director is the narrator.

Another literary aspect of the festival will be a tribute to the writer Dermot Bolger, who will appear in a meeting coordinated by John McCourt (University of Macerata). Born in 1959 in Finglas, a northern suburb of Dublin, Bolger is the author of novels, poems and plays. His best-known books include The Journey Home (1997) and The Family on Paradise Pier(2005), published in Italy by Fazi Editore.

Three questions to… Paddy Cahill, director of Seán Hillen Merging Views

Interview with Paddy Cahill - Sean Hillen, Merging Views - Irish Film Festa

 
A film portrait that observes Irish artist Séan Hillen as he creates a beautiful new photomontage and shares thoughts about his work and recent personal discovery: Seán Hillen, Merging Views is a short documentary film which will screen in competition at the 10th Irish Film Festa (March 30th – April 2nd, Rome).

We spoke to the director Paddy Cahill.

 

Why did you choose to make a film about Seán Hillen?

I’ve been a long time admirer of Seán Hillen’s work but it was last year, as I visited him at his home to buy one of his prints as a present, that I knew I wanted to make the film. I wrote to Seán right after asking if I could make a short documentary about him and his work. Seán has an amazing backstory, which should be told in another documentary, but I was really fascinated by his home/studio where he creates his amazing work.

 

The film is set in a small room: how did you work in terms of frame composition and editing?

When we filmed it was just myself and Basil Al Rawi, our director of photography, in the house with Seán. It was very important to me that we would be a tiny crew, although not much more would have fit in the room anyway! One rule I tried to keep was that Seán would only talk or answer questions while he was making work. That way it would be less like a traditional documentary interview. I thought that watching Seán work while he spoke would be more interesting to the viewer. This also gave Basil the freedom to get right up to Seán’s shoulder and compose some really beautiful cinematography.

 

And how long did the shooting take?

Along with producer Tal Green we were planning the filming for quite a while but the actual filming was over the course of one night only. I wanted the audience to have the same feeling we had when we filmed as if they just dropped in one night, to this unusual house on a normal looking terrace street in Dublin and got to watch Seán create one of his works.